{"id":49123,"date":"2025-12-23T11:32:15","date_gmt":"2025-12-23T10:32:15","guid":{"rendered":"https:\/\/czk-cakovec.hr\/?page_id=49123"},"modified":"2025-12-23T11:34:05","modified_gmt":"2025-12-23T10:34:05","slug":"the-killer-in-me-is-the-killer-in-you-my-love","status":"publish","type":"page","link":"https:\/\/czk-cakovec.hr\/saturn\/the-killer-in-me-is-the-killer-in-you-my-love\/","title":{"rendered":"The killer in me is the killer in you my love"},"content":{"rendered":"
[vc_row equal_height=”yes” content_placement=”middle”][vc_column width=”1\/3″][vc_single_image image=”48469″ img_size=”large” alignment=”center” css=””][\/vc_column][vc_column width=”2\/3″][vc_custom_heading text=”THE KILLER IN ME IS THE KILLER IN YOU MY LOVE (2015.)” css=””][vc_column_text css=””]10. travnja 2015.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]THE KILLER IN ME IS THE KILLER IN YOU MY LOVE\u00a0<\/strong>(Andri Beyeler)<\/em><\/strong><\/p>\n

Koncept, re\u017eija, koreografija \/ Concept, direction, choreography:<\/strong>\u00a0Sanja i Till Fr\u00fchwald
\nDramaturgija \/ Dramaturgy:<\/strong>\u00a0Mario Kova\u010d
\nIzvedba \/ Performance:<\/strong>\u00a0Petar Cvirn, Karolina Horvat, Andreja Jandri\u0107, Matija Kezele i Bruno Kontrec
\nIzvedba na videu \/ Video performance:<\/strong>\u00a0Zdenko Brlek, Jagoda Kralj Novak, Marija Krpan, Darko Plovani\u0107 i Zvonko Ze\u010devi\u0107<\/p>\n

Glazba \/ Music:\u00a0<\/strong>Damir \u0160imunovi\u0107
\nScenografija \/ Stage design:<\/strong>\u00a0Zdravka Ivandija Kirigin
\nKostimi \/ Costume design:\u00a0<\/strong>\u017darka Krpan
\nIzrada kostima \/ Costume makers:<\/strong>\u00a0Karmen \u0160trlek, Ivan Debeljak, Mladen Grof Jernei\u0107
\nDizajn rasvjete \/ Light design:\u00a0<\/strong>Marino Frankola
\nVideo:\u00a0<\/strong>Davor Konjiku\u0161i\u0107
\nFotografija \/ Photography:<\/strong>\u00a0Davor Konjiku\u0161i\u0107
\nGrafi\u010dki dizajn \/ Graphic design:<\/strong>\u00a0Dvije Lije<\/p>\n

Rukovoditelj scenske tehnike \/ Technical director:\u00a0<\/strong>Neven Taradi, Slaven Edvin Bot
\nInspicijent \/ Stage manager:<\/strong>\u00a0Sanjin Ro\u017ei\u0107
\nMajstor rasvjete \/ Master electrician:<\/strong>\u00a0Neven Taradi, Marijan \u0160trlek
\nRasvjeta \/ Light technician:<\/strong>\u00a0Mario Zelenbaba, Rajko Vugrinec
\nMajstor tona \/ Sound technician:<\/strong>\u00a0Mario Dvanaj\u0161\u010dak, Zlatko Milec
\nMajstor pozornice \/ Chief of stage technicians:<\/strong>\u00a0Sini\u0161a Kereti\u0107
\nRekviziter \/ Prop master:<\/strong>\u00a0Vedran Dervenkar
\nGarderobijeri \/ Dresser:<\/strong>\u00a0Karmen \u0160trlek i Ivan Debeljak
\nScenski radnici \/ Stage technicians:\u00a0<\/strong>Davor Tkalec, Ivan Leva\u010di\u0107,<\/strong>\u00a0Marko Hrebak, Rajko Hergoti\u0107, Dario Horvat
\nPrijevod \/ Translation:<\/strong>\u00a0Dubravko Torjanac
\nAsistent re\u017eije, postprodukcija\u00a0\/ Directors assistance, postproduction:<\/strong>\u00a0Davor Dokleja
\nAsistent producenta \/ Production assistance:<\/strong>\u00a0Dejan Ko\u0161\u0107ak
\nVideo dokumentacija \/ Video documentation:\u00a0<\/strong>Tomislav Buza \/ Udruga Multimedij<\/p>\n

Hvala \/ Special thanks:<\/strong>\u00a0Nikola Hr\u017eenjak, JVP \u010cakovec, Gradski bazeni \u2018\u2019Marija Ru\u017ei\u0107\u2019\u2019 \u010cakovec, Turist d.o.o., Aleksandar Tropp, Robert Dodik<\/p>\n

***<\/strong><\/p>\n

Uzrast \/ Age:<\/strong>\u00a014+\u00a0Trajanje \/ Duration:<\/strong>\u00a080 min
\nPremijere \/ Premiere :\u00a0<\/strong>29. i 30. travanj 2015. Centar za kulturu \u010cakovec i 23. svibanj 2015. godine u HNK Vara\u017edin<\/p>\n

***<\/strong><\/p>\n

Koprodukcijski partneri \/ Coproduction partners:<\/strong>\u00a0Centar za kulturu \u010cakovec \u2013 KD Pinklec, VRUM performing arts collective, HNK u Vara\u017edinu \/ Cultural Centre \u010cakovec \u2013 Theatre Company Pinklec, VRUM Performing Arts Collective, Croatian National Theatre in Vara\u017edin<\/p>\n

Podr\u017eano od strane \/ Supported by<\/strong>: Ministarstvo kulture RH, Grad \u010cakovec i Zaklada Kultura Nova<\/p>\n

O predstavi:<\/strong><\/p>\n

Vrijeme koje je (o)stalo\/vljeno<\/p>\n

\u201cThe Killer in me is the Killer in you my love\u201d refleksija je o \u201cprvoj cigareti\u201d, prvoj ljubavi i prvom skoku u \u201chladnu vodu\u201d, predstava koja istra\u017euje raspuklinu izme\u0111u djetinjstva i svijeta odraslih.
\nU na\u0161em interdisciplinarnom istra\u017eivanju deset izvo\u0111a\u010da u pet uloga osvr\u0107e se na stare o\u017eiljke i svje\u017ee rane ljeta svojih \u017eivota. Godine peku.<\/p>\n

Kroz vremenom nagri\u017eenu, ispucalu, ogoljenu i ostavljenu ruinu Vara\u017edinskog dravskog kupali\u0161ta, mjesta koje nosi sna\u017enu kolektivnu memoriju cijelog jednog grada na \u201cbolja vremena\u201d ulazimo u bazen emocionalnih tragova prvih iskustava, velikih o\u010dekivanja, pa razo\u010daranja koja su sru\u0161ila, pa formirala neke nove identitete. Koliko tijela \u2013 toliko istina. Otvaramo teku\u0107u diskusiju o individualnim razlikama u shva\u0107anju stvarnosti i granicama mogu\u0107nosti razumijevanja drugih. Koliko se zaista zapravo trudimo?<\/p>\n

Preko projekcija na suvremenu kazali\u0161nu pozornicu, mjestu rezerviranom za\u00a0\u201covdje i tada\u201d<\/em>\u00a0propitujemo druga\u010diju percepciju vremena kroz koju se trenuci pitanja \u201c\u0161to \u0107e od nas postati?\u201d \/ \u201c\u0161to nas o\u010dekuje?\u201d i sje\u0107anja preklapaju.
\nStare rane usamljenosti adolescencije ponovno su raskrvarene. Voda ulazi kroz raspukline, do vrata nam je.
\nPlutamo na nijemosti. Kre\u0107emo se.<\/p>\n

Sanja i Till Fr\u00fchwald<\/p>\n

A ljeto ipak<\/p>\n

odlazi<\/p>\n

odlazi<\/p>\n

i odlazi.<\/p>\n

    \n
  1. J. Degenhardt<\/li>\n<\/ol>\n

    \u201cSvi vole i\u0107i na bazen, ali nitko zapravo (samo) zbog plivanja\u2026\u201d<\/p>\n

    Kapitalno djelo europske dramaturgije \u201eBolest mlade\u017ei\u201c Ferdinanda Brucknera je jedan od najranijih scenskih prikaza \u017eivota adolescenata u poku\u0161aju da precizno definira onaj neuralgi\u010dni trenutak odrastanja kada se dijete pretvara u odraslu osobu. Gotovo stolje\u0107e kasnije Andri Beyeler pi\u0161e ovu dramu koja se bavi prisje\u0107anjima odraslih na jedno ljeto, ljeto u kojem se naizgled nije desilo ni\u0161ta a zapravo se desilo sve.<\/p>\n

    Mjesto radnje je bazen ali izgleda da gotovo nitko ne ide na njega zbog plivanja. Neki hvataju boju ali i tu\u0111e poglede izle\u017eavaju\u0107i se na suncu, neki pale prve cigarete, neki ulaze u prve veze, neki se ne usude skinuti majicu jer misle da su debeli i ru\u017eni. Dijalozi izme\u0111u likova su kratki, isprekidani i nedore\u010deni a monolozi se pretvaraju u bujice rije\u010di u kojima se isprepli\u0107u osje\u0107aji i\u0161\u010dekivanja, razo\u010darenja, zaljubljenosti, zbunjenosti \u2013 \u010ditav kaleidoskop emocija u kojem svaki pojedini lik predstave iznosi svoje vi\u0111enje tog specifi\u010dnog momenta u \u017eivotu.<\/p>\n

    Pet likova prolazi kroz iste doga\u0111aje ali kroz ra\u0161omonsku strukturu dramaturgije pred o\u010dima publike izlaze subjektivna svjedo\u010danstva \u010dime uvi\u0111amo koliko razlike mo\u017ee biti u individualnoj percepciji tih doga\u0111aje. A tamo gdje rije\u010d postaje nemo\u0107na dosljedno prenijeti emociju, na scenu stupa pokret, koreografija, ples. Kao i u svom dosada\u0161njem radu, ekipa okupljena oko VRUM-a predvo\u0111ena Sanjom Tropp Fruewhald, u potrazi je za stanjima kao polazi\u0161nom to\u010dkom za kreiranje fizi\u010dkog materijala od kojeg se onda \u201ekroji\u201c nova scenska zbilja ili iluzija. Um, kroz ostarjele aktere, putem video materijala pamti jedno a tijelo, kroz \u017eive mlade izvo\u0111a\u010de na pozornici, ima razli\u010dito sje\u0107anje. Ova predstava ne poku\u0161ava odgovoriti \u201eTko je u pravu?\u201c ve\u0107 \u017eeli pribli\u017eiti publici adolescentske dobi plesni scenski izraz te napraviti odmak od uobi\u010dajenih, dogmatskih scenskih uprizorenja koja im name\u0107u \u017eivotne \u201eistine\u201c i \u201epravila\u201c.[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

    [vc_row equal_height=”yes” content_placement=”middle”][vc_column width=”1\/3″][vc_single_image image=”48469″ img_size=”large” alignment=”center” css=””][\/vc_column][vc_column width=”2\/3″][vc_custom_heading text=”THE KILLER IN ME IS THE KILLER IN YOU MY LOVE (2015.)” css=””][vc_column_text css=””]10. travnja 2015.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]THE KILLER IN ME IS THE KILLER IN YOU MY LOVE\u00a0(Andri Beyeler) Koncept, re\u017eija, koreografija \/ Concept, direction, choreography:\u00a0Sanja i Till Fr\u00fchwald Dramaturgija \/ Dramaturgy:\u00a0Mario Kova\u010d Izvedba \/ Performance:\u00a0Petar Cvirn, Karolina Horvat, Andreja Jandri\u0107, Matija […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-49123","page","type-page","status-publish","hentry"],"ulaznica_data":null,"_links":{"self":[{"href":"https:\/\/czk-cakovec.hr\/saturn\/wp-json\/wp\/v2\/pages\/49123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/czk-cakovec.hr\/saturn\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/czk-cakovec.hr\/saturn\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/czk-cakovec.hr\/saturn\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/czk-cakovec.hr\/saturn\/wp-json\/wp\/v2\/comments?post=49123"}],"version-history":[{"count":3,"href":"https:\/\/czk-cakovec.hr\/saturn\/wp-json\/wp\/v2\/pages\/49123\/revisions"}],"predecessor-version":[{"id":49126,"href":"https:\/\/czk-cakovec.hr\/saturn\/wp-json\/wp\/v2\/pages\/49123\/revisions\/49126"}],"wp:attachment":[{"href":"https:\/\/czk-cakovec.hr\/saturn\/wp-json\/wp\/v2\/media?parent=49123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}